Stories for a fresh World

This variety of shows that takes because their motivation the stories that form united states mythology: yarns and fables owned by cowboys, Indians, voyageurs, spinsters, and big town Horatio Algers. They are stories which were glamourized by popular tradition, and which occur in iconic proportions. Yet they have been reasonably young, pliable tales, only 200 years old. Dempsey and Millan flex them so they really mirror a various viewpoint. By imposing a lesbian that is ironic feminist reading/retelling upon these tales, they illuminate our history and our current, and produce alternate archetypes that propose brand brand new “new globes. ”

The brief Tale of minimal Lizzie Borden is just a piece that posits rage as a justifiable, indeed logical emotional a reaction to modern world activities. There are two main elements to the work, a printed text this is certainly fond of the viewers become read at their leisure, and a performance that examines a contemporary woman’s anger. The narrative that is written the tale of this childhood of Victorian murderess, Lizzie Borden, who had been accused of killing her moms and dads. The live performance tells a tale of present-day kleptomania, grooming, and the rush to war in contrast to the print work’s 19th century, poetic style. In an irony-laden tirade, Dempsey describes why she steals women’s mags.

“This isn’t a tool. It is not an axe. This really is a hatchet. An inferior, scaled straight straight down, more feminine, less version that is effectual. Perhaps Not an instrument, an accessory! And accessories create interest. ”

Duration: five full minutes.

First performed: October 2001, Finding Feminisms meeting, Mentoring Artists for Women’s Art, Winnipeg, Manitoba

Printed text published in Bedtime Stories for the side of the World, Arbeiter Ring Press, 2012

Photos by William Eakin and Elaine Stocki

Other pieces that are live the show through the Headless Woman together with Lesbian adore Story of this Lone Ranger and Tonto. Skip Gray’s Marvellous Truth Machine exists as an installation and recording on plastic.

Winnipeg Tarot Company

The Winnipeg Tarot Co. And its particular hope and enlightenment experts offered free tarot card readings throughout Winnipeg throughout the fall of 2010. Well-known designers from many different procedures staffed the portable tent that is fortune-telling Shawna Dempsey (performance musician), Sandee Moore (performance musician), Ian Ross (playwright), Ross McMillan (star), John K. Samson (musician and author), Caroline Gray (puppeteer and playwright), Rodrigo Munoz (musician), Maggie Nagel (star), Christine Fellows (musician) and Charles LeBlanc (author and star). Readings had been for sale in Spanish, French, Japanese and English. The team of art-intuitives travelled from senior domiciles to departmental stores, the airport towards the hockey arena, for five days, experiencing Winnipeg’s effective emanations that are psychic. The device of the trade had been a completely redesigned tarot card deck featuring sites that are well-known icons of Winnipeg, produced by Dempsey and Millan, illustrated by Bonnie Marin and created by Mike Carroll.

The performance started at Portage Put Mall on Saturday September 25, 2010. Also prior to the tent ended up being put up, a line-up that is two-hour, including an octogenarian World War II war bride and her Canadian-born camsloveaholics.com/female/fareastern/ spouse, teens nevertheless awake form partying the night time prior to, a Latin American medical care worker on her behalf option to work, a businessman in a suit and connect, a greatly tattooed biker, and an architecture pupil. As of this as well as all the venues, audience/participants originated in all walks of life to unburden by themselves and inquire concerns concerning the direction and meaning of these life. The intimacy between your music artists and also the individuals at those moments had been profound. Even though the performers prefaced each session because of the terms, they were listened to“ I cannot read the future”, people brought their hopes and fears, and.

Re re re Payment for the fortune-telling solution ended up being just accepted in tales about Winnipeg. Residents could also go right to the internet site and possess a card that is electronic and key in their Winnipeg stories. Over the course of the task nearly 1000 tales were collected and soon after deposited into the Winnipeg Archives.

This Cultural Capitals task, commissioned because of the Winnipeg Arts Council, tapped in to the miracle and secret of our town, and developed an intersection that is meaningful performers and citizens to share our provided futures.

To own your fortune read, hear a whole tale or keep a tale, head to http: //winnipegtarotco.ca.

Duration: 5 days

Performed: September and October 2010, throughout Winnipeg, Manitoba, in coffee stores, areas, libraries, cafes, etc.

Photos by Lorri Millan and Leif Norman

Target Marketing

The ways that press has changed our relationship to language and activism is explored through thi narrative that is first-person that the symbols of terrorism literally drop through the roof.

It’s estimated that next two hundreds of years, 40% regarding the world’s extant languages will no be contemporary modes longer of idea or expression. In the time that is same “dominant” languages are devolving into the brevity of marketing journalism. Sentence length is shrinking, and descriptives have emerged as superfluous. Using this de-languagification, principles in addition to countries are now being lost. These performances consider the irony associated with known undeniable fact that, at any given time once we have actually the way to discussion and advocate locally, nationwide and globally, we losing ab muscles language with which we communicate.

“The following performance contains no nudity, physical physical violence or language that is coarse. No pets had been harmed into the creation of the piece, with no meat will be ready or eaten on phase. Be forewarned that you will see no strobe lights, fireworks or pyrotechnics of any type or sort, with no gunshots will likely be fired. What you are actually going to see will bore kids, older people, and the ones of you in-between. Time will crawl by and you’ll curse the close buddy whom brought you right here. You may give consideration to asking for the cash back, but that will need private relationship with the performer then you might never ever get out of right here (laugh). No, tonight’s spectacle will in no means be dazzling. In fact the spectacular will undoubtedly be studiously avoided, which means this won’t be most of a spectacle at all. ”

Duration: 20 mins

First performed: October 2006, Studio XX, Montreal, Quebec

Photos by William Eakin